Every composition begins long before the first note is written.
It begins with questions, readings, conversations, listening, and small experiments that gradually reveal new possibilities.
This website is a glimpse into that process. It is less a portfolio than an open notebook—a place where research, composition and technology meet, and where ideas continue to grow over time.
You’re welcome to stay for as long as you like.
A few words…
I am a composer, performer, and researcher working at the intersection of musical practice and sonic perception. My work explores how memory, expectation, and technology shape the way we recognize and experience musical identity.
My central research question is: how does sonic identity—especially cultural identity—persist when mediated and transformed by technology?
To address this question, I combine bibliographical research with musical composition. Creative practice thus functions as a laboratory for testing the limits of recognizability and memory.
On this site, you will find fragments of this universe—and perhaps something beyond it as well. You are welcome to explore my reflections and readings in the Studies section, or listen to some of my musical work in Sounds. The Research section offers a more direct view into the conceptual foundations of my work.
If you wish, you are also welcome to get in touch. I would be glad to hear from you.
